“It’s kind of refreshing as a woman not to be playing a character that’s just defined by whom she’s in love with, to be honest. With Margaery, political ambition is motivating her—her relationships with all these different men has an agenda. Game of Thrones is like The Hunger Games in so far as it has beautiful writing of strong, complex, contradictory women—whether you’re talking about Arya Stark or Brienne of Tarth, who are physically empowering themselves; or women like Cersei and Margaery, who are doing the more traditional political court machinations. Margaery represents a very modern sort of PR, winning the hearts and minds. I’ve called her Kate Middleton crossed with your First Lady, Michelle Obama. She is a politically savvy woman who is harnessing romantic notions of royals in the populous’ mind.”
Yes… It’s powerful… Very powerful…
#I AM IN A MURDEROUS RAGE AND CAPSLOCK IS NOT ENOUGH TO EXPRESS HOW ANGRY I AM THAT THEY CUT THIS #IT’S SO HUMANIZING FOR THEA AND SO GREAT FOR SIN #WHY ARROW!WRITERS #WHY? #IT’S LIKE YOU KNOW WHAT NEEDS TO BE IN YOUR SHOW BUT KEEP CUTTING IT BECAUSE YOU’RE NOT AWARE OF JUST *HOW* IMPORTANT IT IS #THIS IS IMPORTANT #THEA IS IMPORTANT #SIN IS IMPORTANT #FRIENDSHIPS AND RELATIONSHIPS THAT ARE NOT OLIVER’S ARE IMPORTANT #THEY NEED TO BE INCLUDED IN THE EPISODE #AND NOT OPTIONAL SCRAPS FOR YOU TO SNIP OUT TO MAKE MORE ROOM FOR OLIVER’S MOPING
#OH MY GOD HOW COULD YOU DENY ME OF THIS!!! #I WANT SIN TO BE THE ONE TO FIRST FIND OUT ABOUT THEA #AND BE THE BRIDGE OF THEA’S OLD LIFE TO HER NEW ONE #AND BE THE ONE TO HELP GUIDE THEA BACK TO HER FAMILY!
Guards: Oh no. Wait. Stop. No. Don’t steal those. Get back here, you criminal. (Pfft! Can’t believe they’re falling for it!)
I read that in a sarcastic voice
why is this so funny?